Modern K64 III Capture One -style

As I mentioned in my earlier post, I have been tuning some Portra based Capture One -styles and Kodachrome 64 based Capture One -style parallel to each other. I wanted to create a good base setting for the Capture One color wheel that I could use tuning many other styles too. I published the Portra 400 look-a-like style already, and it is time to publish my efforts with the Kodachrome 64 look. This time I used a quite good reference scan as my base and I think the accuracy of colors in this style is quite high compared to the original scan.

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PortraMood Capture One -style

This style I is a replication of an for me unknown look I found in the internet. I really don’t know the photographer, I don’t know the medium it was taken with (though I think it was taken on film), and I don’t know what kind of post processing was involved in the final image that I copied this look from. What I know is that it looked beautiful and gave me the impression of a certain Portra 160 look that I have been working through.

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P400 V Capture One -style

For the last two months I’ve spent enormous time with Capture One tweaking couple of styles. The style I started with was the Portra 400 -look I have many times approached with different methods and different results. During the process I suddenly jumped to tweak a look that I have not liked so much, but nevertheless I spent a lot of time studying and tweaking a Portra 160 -style. But again I jumped to another look, my another never-ending style, Kodachrome 64. I jumped between all these styles and most of my time went on making a color wheel setup that would work as a base for all of them. I think I made, counting all these three studies, more than 200 iterations. My eyes got sore, for sure :-).

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P400 III Capture One -style

This is an evolution of one of my studies, Kodak Portra 400 looking Capture One -style. This version combined the earlier “Gold Dust” version with many other tweaks to the colors of previous versions. The colors in this version are based on a comparison of colors charts taken with the Portra 400 film. Not an exact match but closer than ever before.

I set the white balance at 5600K (and zero bias) and depending on the subject you have to pick your preferred white balance. I sometimes like to use the 5600K setting, but mostly tweak it to my taste.

If you like Portra 400 film’s look you probably are gonna like this too, as the warmth and colors and halo effect are similar. I picked the noise pattern to my taste but it gives, at least to me, a resemblance of film grain.

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Obsolete III Capture One -style

This style is having it’s third iteration. It has been an ongoing study of making a Kodachrome look-a-like style for Capture One. The first and second iterations had beautiful look but at the same time there were some color problems that I first could not figure out. This third iteration comes right at the heels of the second iteration and finally I think I solved the problems I had with the colors. These problems were technical problems that were caused by my mistake of making overlapping colors in color editor. The third iteration is still beautiful to me, but I lost a bit of deepness in certain colors when I corrected the look. Still, this is worth publishing and especially, while a bit different from the previous iterations, it gives beautiful alternative for my other styles. And I hope I can finally leave this style in it’s current state.

Update 1.7.2022: I do have many newer versions of the Kodachrome64-look and there is no longer reason to share this old version. Check out the new one.

Monochrome Muted Capture One -style

This style is a study of converting the NS160 III Capture One -style to a monochrome style. The color version is suitable for portrait photography, at least it is mimicking the Fuji’s beautiful 160NS film that was especially meant to be used for people photography. I found out that the monochrome conversion needed some slight tuning, but overall it worked as is as an independent monochrome style.

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Basics Nature Capture One -style

I loved Fujifilm’s Velvia film simulation when I used the X-H1. From the beginning of using Capture One I wanted to make a style that mimics the look of the Velvia film simulation. There were two reasons even while I knew I could get that look for Fujifilm’s raw -files in Capture One. First, I wanted to learn how to tune such a style that works well with nature related subjects like landscapes and animals. Second, I think it is always best to have a style that is not dependent of the camera used.

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Some monochrome Capture One -styles

It has been a while since the last post. I have had many ideas for new styles, but many of them just didn’t work the way I wanted and so I actually have made a lot of styles that just are waiting either to be finished somehow or just deleted. During the experiments I have made three monochrome styles that seem to work for me. Two of them are “clean” versions, very similar to each other but still different enough to name them 1 and 2. I have added to many of my black and white styles some grain to even the contrast or to make them look “film like”. These clean versions are free from additional grain as there are those moments you just want to have a clean version to start from. The third monochrome style was from an experiment to make a flat, or matte, looking style out of my never published third iteration of Earth Colors -style. While the color version still waits approval from me, the black and white version looked nice enough for publishing.

Hopefully some of these gives you ideas for your own style or even work as is. It probably never is bad to have choices and here they are, free as always.

And here is the link:

There is nothing magical or original in these, so I don’t publish many photos to show them, try them yourself. Below is one photo processed with Monochrome Clean 1 and Monochrome Flat. The featured photo is processed with the Flat -style.

Monochrome Clean 1 (left) vs. Monochrome Flat (right)

About Nikon’s SOOC colors

This is just a short pondering of the SOOC Nikon colors. There are six different main color profiles, Picture Controls, in Nikon Z cameras. Of course there are also many filter-kind of profiles, but as they are more like special filters, I do not count them to the main profiles.

The main profiles are (in no particular order) Standard, Neutral, Vivid, Portrait, Landscape and Flat. Coming from Fujifilm ecosystem having used and tweaked a lot of different film simulations, I am used to the idea of having different color profiles for different purposes.

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